A Northerly
Land
Released on 2nd Dec 2013.
“A Northerly Land speaks to
themes of local and seasonal migrations woven into centuries of cultural change. It speaks
of who we are and where we come from, while also signposting where we are trying to go. The
voices, in terms of instruments and spoken word, are immediate and international – but
equally they are emphatically local and embedded in place and people.”
(Dr Isobel
MacPhail, Mackay Country Community Trust)
A great price for the CD and book together for
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It’s not often that album endorsements come from leading
academics – but then Iain Copeland’s debut solo release, A Northerly Land, is no ordinary album.
Created during a year-long artist’s residency in the furthest north-west corner of mainland
Scotland, as part of an innovative community history project, it’s a brilliantly multilayered,
sumptuously textured tapestry of traditional and contemporary elements, live instrumentation and
digital wizardry, music and the spoken word, by turns euphorically funky, thrillingly
adventurous and profoundly moving.
The area where Copeland was based, the 2,000 square
miles lying east and south of Cape Wrath in north west Sutherland, is often known as Mackay
Country – or Dùthaich Mhic Aoidh, in the Gaelic – after its ancient ruling clan. Along with four
other artists – including writer George Gunn and Gaelic singer Fiona J. Mackenzie, who both
feature on the album – he was selected by the Mackay Country Community Trust as a creative
contributor to their ongoing research project Moving Times & Telling Tales, led by the
above-quoted Issie MacPhail (as she’s called locally). Two of the project’s main themes – the
former practice of ‘hostelling’ within Sutherland’s secondary education system, whereby children
from such remote communities would board at school in term-time, and the history of inward
migration to the area – inspired several tracks on A Northerly Land, which simultaneously
reflects Copeland’s personal artistic odyssey during the year.
Originally from Glasgow,
now living on Skye, Copeland has toured much of the globe during his 20-year career, with
leading folk acts The Peatbog Faeries, Session A9 and Sketch, as well as numerous jazz and rock
line-ups. Common threads of travel and migration, and their accompanying gains and losses, are
thus woven throughout the album, not least in stunning contributions from such stellar guests as
saxophonist Nigel Hitchcock and trombonist Rick Taylor, who’ve settled in Scotland from
elsewhere. Through extensive researches into Mackay Country’s history, music, stories and
poetry, Copeland also forged fresh connections with its Gaelic-speaking Traveller community, an
ancient living culture ‘discovered’ in the 1950s by iconic folklorist Hamish Henderson, and
represented here by the celebrated storyteller Essie Stewart, recorded on a walk retracing her
family’s annual summer roamings. Resonantly recited by its author, George Gunn’s poetry – from a
companion volume produced during his residency, also called A Northerly Land – forms another
vital strand through the recording, its verbal evocations a stirring counterpoint to Copeland’s
intricately wrought, brilliantly wide-ranging soundscapes.
Further guest contributions
come from guitarist Malcolm MacFarlane and Ross Ainslie on whistles/cittern, among an
instrumental line-up also including bagpipes, fiddle, bass and trumpet. Traditional and
contemporary tunes feature alongside original compositions, from joyous jigs and reels to
spinetingling slow airs, all underpinned by Copeland’s inimitable percussion and production
skills. Following the album’s release, plans are afoot to stage A Northerly Land as a live
collaboration with Gunn and guest musicians during 2014.
“The Mackay Country residency
allowed me to explore a whole new world of production and writing that I hadn’t really
experienced before,” Copeland says. “It gave me the breathing space to stop and think from an
entirely new viewpoint, without the usual financial pressures. Having that freedom, to create
music purely as an end in itself, made it one of the best artistic processes i have
experienced.”